what we do: We make recording+score videos of modern compositions and post them to our YouTube channels Score Follower, Incipitsify & Mediated Scores and we are doing this completely aboveboard; i.e., we ask permission from all appropriate parties, including composers, performers, publishers, & record companies.
why we do it:
We are dedicated to the dissemination of new music & score study for educational and divulgation purposes. Our goal is to provide access to a type of experience (viewing a score while listening to the recording) only otherwise available to the privileged (students/faculty who happen to be affiliated with a university that has a large catalogue of new music scores). Not only are we providing this access by posting our featured works on a major [free] platform like YouTube, but we are streamlining the tedious process of contacting composers, obtaining the media, and turning pages at the right time. Instead, our viewers may simply click a link, experience the piece, and appreciate the musician’s abilities to communicate, interpret, and execute these unusual sounds. Finally, we hope that our efforts are extending the interest of new music on a global scale. Because of us, people who were on the fence about new music are now listening, and because of us, those who were already listening are becoming increasingly inspired.
Warsaw Autumn celebrates their 60th anniversary this year with another exciting program featuring pieces by Tadeusz Wielecki, Brigitta Muntendorf, Johannes Kreidler, Pierre Jodlowski and many others. Check it out!
Check out what they have in store this year in October. Highlights include premieres by Dmitri Kourliandski, James Saunders, George Crumb, Alexander Schubert, Misato Mochizuki, Márton Illés, and Chaya Czernowin. […]